I am a sculpture-based sound artist interested in how sound, electrical currents, and radio signals occupy the spaces around us in imperceptible ways. Using only conductive materials to carry sound currents, my recent work The bride is beautiful, but she is married to another man explored sculptures as both sound carriers and antennae for receiving and transmitting shortwave radio signals. The constant presence of these signals—and our ability to locate ourselves in relation to them—prompts viewers to question their sense of placehood and positionality, whether physical, cultural, or temporal. The work seeks to uncover the complexities and sensitivities of the present.

Championing a resistance to fixed perspectives, my sonic compositions—performed on my cello and played through my sculptures—explore microtones and tuning: the sonic in-between. Drawing parallels between cybernetic and dialectical thought, I propose white noise as an anarchistic tool for disrupting communication, inviting viewers into a state of meditation. It poses the question: can we belong in the non-place, the noisy in-between of radio channels—finding comfort in the static?